CORRIGER LES PAROLES
Paroles : Three Proofs
Pablo Picasso, Gertrude Stein, 1905-6
When she was herself, finished, she said It doesn't look like
me. Picasso said, It will. Perhaps it will look like her
because it is the doc*ment and will remain, while she is
just a person who will fade. Now, when we think of her,
we think of this painting. Picasso was planning ahead.
The painting is evidence but not proof. There's no proof
that she looked like that, even though we have the
doc*ment. She existed enough to be painted. She could
have been an idea, but that's another kind of existing.
The hand is a tool. The brush is a tool. The paint as well.
There is no machine here, though the work gets done.
The hammer is a tool when banging its head but a lever
when pulling up nails. A lever is a machine, has a fulcrum
which can be moved to change the ratio of something
or other, effort for distance. There is a fulcrum in
the mind that can be moved as well. I do not know what
else to say about this.
Raphael, Saint George and the Dragon, 1504-6
It's hard to talk about what you believe while you are
believing it. Fervor reduces thought to shorthand and
all we get is an icon. Give a man a weapon and you
have a warrior. Put him on a horse and you have
a hero. The weapon is a tool. The horse is a metaphor.
Raphael painted this twice--white horse facing east
against the greens, white horse facing west against the
yellows. The maiden flees or prays, depending. A basic
dragon, the kind you'd expect from the Renaissance.
Evidence of evil but not proof. There's a companion
piece as well: Saint Michael. Paint angels, it's easier:
you don't need the horse. Michael stands on Satan's
throat, vanquishing, while everything brown burns red.
All these things happened. Allegedly. When you paint
an evil thing, do you invoke it or take away its power?
This has nothing to do with faith but is still a good
question. Raphael was trying to say something about
spirituality. This could be the definition of painting.
The best part of spirituality is reverence. There are other
parts. Some people like to hear the sound of their own
voice. If you don't believe in the world it would be
stupid to paint it. If you don't believe in God, then who
are you talking to?
When she was herself, finished, she said It doesn't look like
me. Picasso said, It will. Perhaps it will look like her
because it is the doc*ment and will remain, while she is
just a person who will fade. Now, when we think of her,
we think of this painting. Picasso was planning ahead.
The painting is evidence but not proof. There's no proof
that she looked like that, even though we have the
doc*ment. She existed enough to be painted. She could
have been an idea, but that's another kind of existing.
The hand is a tool. The brush is a tool. The paint as well.
There is no machine here, though the work gets done.
The hammer is a tool when banging its head but a lever
when pulling up nails. A lever is a machine, has a fulcrum
which can be moved to change the ratio of something
or other, effort for distance. There is a fulcrum in
the mind that can be moved as well. I do not know what
else to say about this.
Raphael, Saint George and the Dragon, 1504-6
It's hard to talk about what you believe while you are
believing it. Fervor reduces thought to shorthand and
all we get is an icon. Give a man a weapon and you
have a warrior. Put him on a horse and you have
a hero. The weapon is a tool. The horse is a metaphor.
Raphael painted this twice--white horse facing east
against the greens, white horse facing west against the
yellows. The maiden flees or prays, depending. A basic
dragon, the kind you'd expect from the Renaissance.
Evidence of evil but not proof. There's a companion
piece as well: Saint Michael. Paint angels, it's easier:
you don't need the horse. Michael stands on Satan's
throat, vanquishing, while everything brown burns red.
All these things happened. Allegedly. When you paint
an evil thing, do you invoke it or take away its power?
This has nothing to do with faith but is still a good
question. Raphael was trying to say something about
spirituality. This could be the definition of painting.
The best part of spirituality is reverence. There are other
parts. Some people like to hear the sound of their own
voice. If you don't believe in the world it would be
stupid to paint it. If you don't believe in God, then who
are you talking to?
