CORRIGER LES PAROLES
Paroles : Liverpool Street
[Spoken intro]
Dear listener, Mister Henry Spychalski is exhibiting extremely volatile behaviour. There is a confluence of long standing abandonment and rejection issues with mythological and quasi-biblical delusions, expressed in long, rambling narratives
(Hoo! Ha! To the door!)
Punctuated by song and dance
Apart from the standard diagnoses of narcissism, depression and acute psychosis, I believe that the incident that we refer to as "The Event"... has triggеred a dissolution of the distinction between— bеtween symbolic and real figures in his mind
Where'd you go?
[Verse 1]
Sometimes
I catch
Myself
Falling
Backwards
To where
We said
Goodbye
[Verse 2]
On the concourse
Running late for
Your plane just like
Always, always
I don't notice
My tears 'til the
Ticket man asks
Am I okay
[Verse 3]
When the smoke clears
And the doors close
Wave to me from
The train windows
I'll call your name
For the last time
I will love you
'Til my last breath
[Verse 4]
And in death I will go
To the church where me made
Vows that we couldn't keep
While the children we made
Held the train of your dress
Off the dust on the floor
There where happiness lives
I will sleep forever more
[Chorus]
Lover, hold me
Memory, haunt me
Take me back to
Liverpool Street
[Spoken interlude]
By the time you hear these words, maybe I'll be over you... Until then, I'll wait for you with unshakeable patience. I'll wait where you left me, by the trains, at Liverpool Street station
[Spoken interlude 2]
Should it be song and dance...
It is most likely in this petri dish that the... that The Worm was born. Patient strongly believes, and is perhaps correct in believing, that he's the only one capable of killing the worm... and that this is a necessity for salvation
[Outro]
It's so [?]
I like you so much
It's so [?]
I need you to stay
He made the Worm. He has to kill The Worm
Dear listener, Mister Henry Spychalski is exhibiting extremely volatile behaviour. There is a confluence of long standing abandonment and rejection issues with mythological and quasi-biblical delusions, expressed in long, rambling narratives
(Hoo! Ha! To the door!)
Punctuated by song and dance
Apart from the standard diagnoses of narcissism, depression and acute psychosis, I believe that the incident that we refer to as "The Event"... has triggеred a dissolution of the distinction between— bеtween symbolic and real figures in his mind
Where'd you go?
[Verse 1]
Sometimes
I catch
Myself
Falling
Backwards
To where
We said
Goodbye
[Verse 2]
On the concourse
Running late for
Your plane just like
Always, always
I don't notice
My tears 'til the
Ticket man asks
Am I okay
[Verse 3]
When the smoke clears
And the doors close
Wave to me from
The train windows
I'll call your name
For the last time
I will love you
'Til my last breath
[Verse 4]
And in death I will go
To the church where me made
Vows that we couldn't keep
While the children we made
Held the train of your dress
Off the dust on the floor
There where happiness lives
I will sleep forever more
[Chorus]
Lover, hold me
Memory, haunt me
Take me back to
Liverpool Street
[Spoken interlude]
By the time you hear these words, maybe I'll be over you... Until then, I'll wait for you with unshakeable patience. I'll wait where you left me, by the trains, at Liverpool Street station
[Spoken interlude 2]
Should it be song and dance...
It is most likely in this petri dish that the... that The Worm was born. Patient strongly believes, and is perhaps correct in believing, that he's the only one capable of killing the worm... and that this is a necessity for salvation
[Outro]
It's so [?]
I like you so much
It's so [?]
I need you to stay
He made the Worm. He has to kill The Worm
