Correction Lyrics “St. Lucy’s Home for Girls Raised by Wolves” Stage 3 by Karen Russell (Novelist)

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Lyrics

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Stage 3: It is common that students who start living in a new and different culture come to a point where they reject the host culture and withdraw into themselves. During this period, they make generalizations about the host culture and wonder how the people can live like they do. Your students may feel that their own culture's lifestyle and customs are far superior to those of the host country.

The nuns were worried about Mirabella too. To correct a failing, you must first be aware of it as a failing. And there was Mirabella, shucking her plaid jumper in full view of the visiting cardinal. Mirabella, battling a raccoon under the dinner table while the rest of us took dainty bites of peas and borscht. Mirabella, doing belly flops into compost.

"You have to pull your weight around here," we overheard Sister Josephine saying one night. We paused below the vestry window and peered inside.

"Does Mirabella try to earn Skill Points by shelling walnuts and polishing Saint-in-the-Box? No. Does Mirabella even know how to say the word walnut? Has she learned how to say anything besides a sinful 'HraaaHA!' as she commits frottage against the organ pipes? No."

There was a long silence.

"Something must be done," Sister Ignatius said firmly. The other nuns nodded, a sea of thin, colorless lips and kettle-black brows. "Something must be done," they intoned. That ominously pa**ive construction; a something so awful that nobody wanted to a**ume responsibility for it.

I could have warned her. If we were back home, and Mirabella had come under attack by territorial beavers or snow-blind bears, I would have warned her. But the truth is that by Stage 3 I wanted her gone. Mirabella's inability to adapt was taking a visible toll. Her teeth were ground down to nubbins; her hair was falling out. She hated the spongy, long-dead foods we were served, and it showed--her ribs were poking through her uniform. Her bright eyes had dulled to a sour whiskey color. But you couldn't show Mirabella the slightest kindness anymore--she'd never leave you alone! You'd have to sit across from her at meals, shoving her away as she begged for your scraps. I slept fitfully during that period, unable to forget that Mirabella was living under my bed, gnawing on my loafers.

It was during Stage 3 that we met our first purebred girls. These were girls raised in captivity, volunteers from St. Lucy's School for Girls. The apple-cheeked fourth-grade cla** came to tutor us in playing. They had long golden braids or short, severe bobs. They had frilly-duvet names like Felicity and Beulah; and pert, bunny noses; and terrified smiles. We grinned back at them with genuine ferocity. It made us nervous to meet new humans. There were so many things that we could do wrong! And the rules here were different depending on which humans we were with; dancing or no dancing, checkers playing or no checkers playing, pumping or no pumping.

The purebred girls played checkers with us.

"These girl-girls sure is dumb," my sister Lavash panted to me between games. "I win it again! Five to none."

She was right. The purebred girls were making mistakes on purpose, in order to give us an advantage. "King me," I growled, out of turn. "I SAY KING ME!" and Felicity meekly complied. Beulah pretended not to mind when we got frustrated with the oblique, fussy movement from square to square and shredded the board to ribbons. I felt sorry for them. I wondered what it would be like to be bred in captivity and always homesick for a dimly sensed forest, the trees you've never seen.

Jeanette was learning how to dance. On Holy Thursday, she mastered a rudimentary form of the Charleston. "Brava!" the nuns clapped. "Brava!"

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